What makes the best online mastering service? First, acoustics
Cphonic Online Mastering Service is the pinnacle of acoustics design, featuring a 430 square foot audiophile studio environment with an absolutely flat monitor response due to the massive depth of our built-in bass trapping. The Real Traps acoustic fixtures that line the walls provide further refinement of the sound, making this the most accurate control room music producer / mixing engineer / mastering engineer Kevin McNoldy has ever created. When your music can be heard in the most accurate room possible, it means that your audio can be enhanced to its fullest potential… again, giving you the competitive edge.
The finest conversion and clocking
The equipment is wired by hand with custom cables exclusively used by Cphonic, and no audio patchbays are used in the signal path for an absolutely pure connection. In the digital realm, Cphonic is the first East Coast facility to feature the Antelope Eclipse 384 mastering converter, which is clocked by the industry-first "3 clock combo" of the Antelope 10M Atomic Clock, the Antelope OCX-V, and the Antelope Trinity. This combination of clock sources (all used together, simultaneously) yields the most accurate clocking and conversion we've ever measured, and the difference is breathtaking. Every high-end mastering converter and clocking configuration on the market was tested over an extended time period, with the Eclipse and the three clock system providing the most pristine, accurate representation of the source material. As with the analog signal, there are no patchbays added to the digital path in order to keep your audio absolutely pure. This means your music's overall tone and dynamics are not colored or altered in any way, unless it enhances your material by choice--our signal chain is absolutely transparent, so you only get the best out of your music, with nothing degrading the sound.
One tape deck to rule them all
Cphonic's no-expense-spared approach also extends to our custom-built ATR Services one inch Ampex ATR-102 analog tape machine, which has been upgraded to Cranesong / Dave Hill-designed Aria Reference Series electronics. This "super analog" machine does the heavy lifting in the mastering chain, providing the most open, rich analog tape experience you'll ever hear. In an increasingly digital world, this rare and incredible-sounding one-inch tape format (the widest and most robust tape format ever created) is the absolute best for adding glue, width, dimension, and fatness to in-the-box computer mixes, and it also serves as the ideal high-end two-track archival medium. We call it the "retina display for sound." Hearing is believing… our "free song mastering" offer listed on the Home page includes running your mix through this audiophile masterpiece.
The best mastering studio monitors
The mastering studio monitors chosen for Cphonic are from KS Digital, a German audiophile speaker manufacturer who is the first in the world to integrate FIR technology into their products. This results in an absolute flat performance from the monitors, with no coloration or frequency bumps along the entire audio spectrum. Again, extensive testing was done over several years with every viable mastering-grade monitor on the market (take a look at Kevin's previous studio, Crystalphonic, to get a sampling of some of the many monitors he's owned over the years), and KS Digital won for absolute transparency and perfect translation of the sound. The results are stunning--every detail of your music's sonic picture is presented accurately, so the mastering process can enhance what's good and eliminate what doesn't work.
The balance of power
A signal chain of this quality must have the ideal power system, and Equitech balanced power systems were chosen after testing different implementations. This results in the lowest noise floor and widest dynamic range possible in an audio system, with absolutely no extraneous noise added from the power. Each individual analog and digital component operates in its most ideal state, bringing a more precise, accurate performance to the sound. Again, nothing in our chain (including the power itself) alters your music in any way--so when we adjust your sound, it's by choice in order to bring out the best qualities of your material.
Everything at the right angle
In addition to the desk and ancillary mastering studio equipment being designed in a minimalist fashion and precisely angled to prevent reflections at the listening position, the desk and speakers are physically floated to completely decouple them from the floor and surrounding environment. This crucial step means the sound from the mastering studio monitors is completely unaltered and true to the source, with the excellent room acoustics presenting it in the most pure condition we've ever tested. All the "heavy lifting" outboard gear is wired in remotely to the computer, to keep the listening position as clean, uncluttered, and minimal as possible--a small working area equals cleaner acoustics (oversized console desks filled with electronics take a huge toll on the acoustics of a listening environment). This scientific approach to the design means your music can be heard with incredibly detailed clarity, making the decisions to bring out its best qualities the right ones.
The best mastering studio equipment
In addition to a wonderful stable of mixing and mastering equipment outboard choices (Weiss, TC Electronic, Foote Control Systems, and more), DAW choices (Sonic Studio HD, ProTools, Logic, Studio One, and more), and a high-end plug-in selection of nearly everything available today (see the Equipment list), Cphonic houses a rotating set of Kevin's vintage collection of gear (pieces that impart wonderful color to masters, such as Neve, API, Telefunken, RCA, and more). The studio is also the home base for Kevin's music production, engineering, mixing, and songwriting work, so he maintains a full collection of microphone preamps and microphones (including vintage Neve modules and the incredible Telefunken ELA M 251 Tube Mic).
So, what makes the best online mastering service?
We spent countless time and money getting the details listed above perfect, so your music can shine. That makes the difference you need to compete against the biggest artists in the world. And remember, with a room and audio system this accurate, Cphonic also represents the ideal hybrid mixing and production environment. So, if you would like your music project handled for more than just the final song mastering, please Contact us!
Signature (Supports HTML)
Thank you for contacting Cphonic! We'll get back to you as quickly as possible. We'll also verify if you wish to be signed up for our email newsletter list.
Some were originally done on a 4 or an 8 track, but you would never know that after Kevin's mastering was complete.
Singer-songwriter Gilbert Engle
In short, Kevin McNoldy is the production guy you've been looking for.
Engineer Jack Gray of the band The Old Fourth
I can honestly say that this CD would not have been possible without Kevin.
Singer-songwriter Julie Bernstein
Why should I and my clients settle for anything less? I highly recommend Kevin for any of your recording needs.
Producer-engineer Tim Coons, President of Rocket Records
I don’t think anyone could have dreamed that Kevin would inject the song with a whole new life of its own.
Singer-songwriter Ashley McMillen
Kevin McNoldy is a one of a kind audio engineer who is very passionate about his work. Mastering quality is superb.
Engineer-songwriter Robbie Kirsch
Tell Me How To Love You
mastering engineer Kevin McNoldy
The Old Fourth
Dogs and Hens
mastering engineer Kevin McNoldy
Robin and Linda Williams
The First Christmas Gift
producer, co-engineer, mixing, mastering, co-performance Kevin McNoldy